Category: 21st Century Doctor


Make The End Sing

‘Tooth and Claw’ provides an excellent story, packed full of excitement, energy and classic elements aplenty. Heroism and deceit, violence and innovation, fear and elation. We know that Queen Victoria can’t die, mustn’t die, and yet we see the peril she faces and the people who give up their lives in her name.

However, the incredible episode really shines in the conclusion. If you want to have a model for your adventures, look here for how to handle your ending. Yes, you want resolution, the chance to set the world right again and put an end to the plans of the villain – and yet… There should be more. The ending of an adventure should provide threads to continue on beyond the bounds of the current story.

In ‘Tooth and Claw’, we have the obvious introduction of the Torchwood Institute and the implications of a British Empire aware of aliens threat. Also, Queen Victoria suffers an injury at the hands of the Lupine Wavelength Haemavariform, leading to the possibility that down through time the cells of the werewolf might surface again within the Royal bloodline. Further, what repercussions might Victoria’s banishing of the Doctor have. While we know that Torchwood will later seek him out, what impact might it have on later adventures – as any time spent in Victorian England after 1879 might attract the attention of people aware of Victoria’s edict.

Less obvious perhaps, but we also have the thread that Prince Albert and Sir Robert’s father clearly had their own understanding and theories about the werewolf. Given Prince Albert’s meticulous preparation of the Koh-i-Noor diamond it would not be too much of a stretch to suggest something like an occult gentlemen’s club might exist, patronised by the Prince. Similar to the London-based Ghost Club, of which Charles Darwin was a member, such an organisation might seek to gather knowledge about matters of the Unknown and look to arm itself against it.

It’s a great episode – and by following it’s example you can create adventures that provide a great gateway to future encounters.

Easter Egg

What chance do you have of getting something at Easter time that isn’t either cheap chocolate or otherwise bereft of any real meaning associated with the event? I mean, these days Easter has become yet another focus for commercialisation that simply means ‘another occasion when you should go out and get a gift for all those people who will give you a funny and slightly hurt look if you don’t’. What hope for rejoicing in new beginnings, new hope, rebirth?

Well, funny you should mention that! I mean, I’m sure the timing isn’t meant to have Doctor Who coincide with another famous return from the dead… However, Matt Smith and Steve Moffat will be spearheading a new beginning for the renegade Time Lord. More than just new actors and crew, I daresay we will also thrill to the new logo and a variant theme tune, as well as a somewhat altered TARDIS. What better way to spend Easter than this (aside from spending a little time in church should your personal beliefs lean you in that direction)?

What the Dickens?

Like Wilf in the most recent series, I appreciate the prospect of a good companion-that-never-was in the form of Charles Dickens. Dickens combines curiosity with a sharp intellect, perception with a entirely understandable interest in self-preservation.

Throughout ‘The Unquiet Dead’ – verging on a bottle episode once matters have settled on the encounters within the funeral parlour – Dickens fills the role of companion with enthusiasm. Doubting the Doctor’s technobabble, he nevertheless comes to embrace the extraordinary once the evidence stacks up to support it. His world-weariness and desire to debunk charlatans means the alien needs to work hard to break his resolve and single-mindedness. Dickens considers trickery and sleight-of-hand faced with mere apparitions, but in the end he comes around. Even when gripped with fear, his keen mind kicks into gear and brings him back to some measure of sobriety with a solution to the whole problem of the Gelf. Many companions of the past would have kept running, indeed you would have questioned their change in character if they hadn’t.

Dickens could easily function as a perfectly good foil to the Doctor, earthing him when the need requires it, questioning his decisions and reminding the Time Lord that he is no more master of the world around him than any of us. The Doctor may well have a machine that allows him to travel anywhere in time and space, and he may feel the Turn of the Universe beneath his feet – but, that’s not to say he cannot be surprised or taken off guard on occasion, faced with possibilities that passed him by or he was all too ready to ignore. The Gelf play on The Doctor’s good nature and his guilt in relation to the events of The Time War and that is almost his undoing.

For those who play Doctor Who: Adventures in Time and Space here’s a stab at a character write-up for the great author. I would not go so far as to claim perfection, as this happens to be the first time I’ve tried this; but, I think it more or less conveys Dickens character – at least within the confines of the Whoniverse.

Name: Charles Dickens
Attributes: Awareness – 4, Coordination – 3, Ingenuity – 5, Presence – 4, Resolve – 4, Strength – 2
Skills: Convince – 4 (Charm), Craft – 3 (Writing), Knowledge – 4 (Law, Literature), Medicine – 1, Science – 1, Subterfuge – 2
Traits: Friends (mG, The Ghost Club*), Lucky (mG), Photographic Memory (MG), Run For Your Life (mG), Voice of Authority (mG), Argumentative (mB), Cowardly (mB), Dark Secret (mB, family**), Insatiable Curiosity (mB), Obligation (mB, family), Sceptical (mB***)

* A group, based in London, engaged in the research and investigation of the paranormal, in which Dickens took an increasing interest in his later life.
** In his youth his whole family ended up living in debtors prison for a time and he dallied with certain affairs during his life of which he appears to have been thoroughly ashamed.
*** Dickens urge to doubt and debunk means he suffers a +2 bonus to his roll when subject of any conflict seeking to convince him about the supernatural (i.e. they’re going to have a hard time convincing him of anything). When faced with supernatural occurrences, Dickens will always err on the side of doubt – and will suffer a -2 penalty to any roll to overcome his suspicions.

You can access a perfectly good biography of Dickens on Wikipedia.

Can You Smell Chips?

If you needed to mine for plot seeds to fuel your Doctor Who: Adventures in Time and Space scenarios, what better place to start than ‘The End of the World’?

Seems to me the guest list alone makes for an interesting well of possibility. How about learning more about Cheem and how they evolved as a major economic force or perhaps face freedom-threatening litigation at the hands of Jolco and Jolco? What happened at the prototype trials for the hyposlip travel system invented by the Brothers Hop Pyleen? What stellar events did previous platforms managed by the Steward witness and which particular Corporation funds these cataclysmic dinner parties? Who designed the platform and why did they choose to engage in so many retro-flourishes, like the great fans maintaining internal cooling?

And I haven’t even mentioned The Face of Boe, the Ambassadors from the City State of Binding Light, the one and only Cal ‘Spark Plug’ Macnannovich or, indeed, the varied Chosen Scholars of Class Fifty Five! Plot decorations aplenty, even if not a full-scale seed or hook.

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Return to Rose

It’s a weird old world sometimes. You watch something and really have your doubts; but, returning to it later, you find you view the whole thing in another light.

I watched ‘Rose’ this morning, the first Christopher Eccleston story and the introduction of The Doctor to a whole new generation. The story combines elements to satisfy both newcomers and fans alike, pitting The Doctor against an old foe, the Autons and the Nestene Consciousness.

When I watched it originally, I may have fixated on the false Mickey too much as a bad part of the story… but, I’m not seeing that anymore. ‘Rose’ contains all the essential elements to get everyone onboard, introducing the time travelling alien Doctor who appears to be seen all the way across Earth’s history, who has changed his appearance over time and might well be immortal. Rose herself encounters The Doctor, enters the TARDIS and learns a little about what it is to be a Time Lord, sensing the Turn of the Universe (or at least the movement of the world beneath his feet).

The quirky performance of Chris blends perfectly with the notion that what we see here happens to be a newly regenerated Doctor. Inspecting his big ears, he seems fairly satisfied with the transformation. He slips between excitement, sadness, inane grins and sharp rebukes at almost a moments notice.

The Auton Mickey actually isn’t as bad as I recalled, and in truth his appearance and odd speech likely lean towards getting all the kids onboard that this is not the Mickey we met early. You need to prepare the kids for decapitation by establishing the inhumanity of this plastic Mickey clone.

I remain sad that Clive didn’t survive the episode. In a way, he created the very theories of doom following the wake of the Doctor that led to his own demise. Shot by an Auton, Clive is no more – but his wife obviously knew a little about his theories on the Doctor and he clearly had other visitors. LINDA would come after him, intent on getting close to The Doctor; but, it would seem others hold a similar fascination.

Combine the flash effects of the Nestene Consciousness with a fast paced script and some snazzy, upbeat music – and you have an ideal point to jumpstart the series. Like Rose, we find ourselves wanting to get in the TARDIS at the end and follow him on to his next adventure.

At the same time, I really watched the episode to get into the Auton/Nestene mindset in preparation for playing the Doctor Who: Adventures in Space and Time RPG scenario ‘Arrowdown’ tomorrow (hopefully). Basically, Auton equals undead – faceless, shambling foes who can run like Rage-infected zombies if you really need them too. In the store, Rose backed off from stumbling Auton shamblers, while after the Doctor arrived suddenly they could run down corridors at quite a pace. It seemed to me that when the Nestene exerted control, the Autons ‘warmed up’ gathering pace over a short period (half a minutes or so). In the same way, when the Nestene connection died, the Autons continued for a moment, then became confused and bewildered, before finally freezing back into mannequins.

Perhaps, in game terms, Autons can spend a Story Point to cancel their Slow Trait for a short period of time. In addition, when the Nestene exerts or loses control, the Autons warm up or freeze over a period of 30 seconds.

Anyway, re-watching ‘Rose’ worked out as an all-round experience. I’m looking forward to watching (and gaming) some more.

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Prize Turkey

Perhaps, on repeated viewing, I’ll learn to appreciate the conclusion of The End of Time. Perhaps, with time, I will see the deeper layers and enjoy the writing. Right now, I feel let down. I appreciated elements – The Master developed as a character and his bargaining at the end with both sides made for some great acting. I fair wept when the Time Lords made their return, all those high golden colours, all that pomp and ceremony. The threat of the Time War breaking out across the cosmos.

Alas, it was not to be. The Time Lords could not return. The Master could not just live to see another day, perhaps a little wiser to his role in the life of The Doctor. The Doctor, battered and bruised, would not be returning to the life of a renegade, chased by the Time Lords for his role in their ‘defeat’. No, instead we had to erase and rewind – sending the Time Lords back into their Time Locked prison, apparently taking The Master with them (as he represented a loose end, a practical means to their escape in the future). Despite seeing a massive planet looming over them, the people of Earth will probably shrug off events and continue to live as normal. And The Doctor survived a protracted regenerative cycle long enough to scoot around half of time before collapsing in the TARDIS and turning into Matt Smith – conveniently releasing energy to wreck the interior (and windows) of the time machine and warrant a makeover come Spring 2010.

I didn’t engage with the final sacrifice – which failed utterly to match up to that made by Christopher Eccleston’s Doctor. I shed a couple of tears – when The Master sacrificed himself and Sarah Jane saw the 10th Doctor for that last time – but, when the 9th Doctor regenerated I was sobbing. I had tissues at the ready this time and didn’t use a single one of them. I welled up emotionally more on the return of the Time Lords than I did when the 10th Doctor cried out that he didn’t want to go. I felt that the ‘prize’ of seeing his companions for the last time succeeded only in stemming the emotional tide, turning the regeneration into a moment of relief rather than sadness. Someone commented on Twitter that they’d been left tapping their foot, almost begging for The Doctor to just die and get it over with.

I would have preferred a less carefully orchestrated handover of a blank slate between Russell T Davies and Steve Moffat. A few loose ends more wouldn’t have gone adrift. I realise that Steve wouldn’t want the baggage of keeping characters that Russell had created, but I doubt it would have hurt to the ongoing story too much to have… well, some ongoing story!

As I said, I may mellow in time and repeated viewing. Then again, I might not. I shall report back if any revelations strike me and I undergo a regeneration in my jaded opinions of this festive effort…

New Look, Old Concerns

The Doctor’s new costume has been revealed, as Matt Smith steps into the Time Lord’s shoes. While filming the 2010 series with companion actress Karen Gillan, Matt was seen to be wearing “tweed jacket, bow tie, rolled up trousers and black boots” (according to BBC News).

The official Doctor Who web site says, “It says adventure. It says laid back cool. It says Time Lord chic…”. However, what it says to me is up-tight school teacher or perhaps well-turned-out Antiques Roadshow expert. What makes this look a great deal different to the pre-shaved bow-tie sporting Eric Knowles?

It happens whenever we have a regeneration… people doubt the acting ability or the charisma of the new-comer; but, not since Colin Baker exited the TARDIS wardrobe have I doubted the Time Lord’s outfit so completely from the get-go.

Flaming Hell

The new companion to tag along with Matt Smith has been announced, flamed haired Scot Karen Gillan – who, rather like Martha, previously had a bit part in the series as the Soothsayer in the episode ‘The Fires of Pompeii’.

Having read in the new issue of SFX this morning that most fans likely couldn’t tolerate another bewildered Londoner has a companion, one can only hope they allow Karen to retain some vestige of her true accent, rather than requiring her to pull a Tennant.

I think, considering Gwen in Torchwood has a Welsh accent, we’re ready for something regional in Doctor Who. Why should the spin-off dominate in the funny voice stakes (what with Barrowman’s American, as well as Gwen’s Welsh).

Depending on how they kit her out, Karen certainly looks like she can fill the sexiness requirement for the role – though at just 16, perhaps I shouldn’t be making comments like that! Given the age of the Doctor and his companion, I just hope the whole series doesn’t suddenly go all Dawson’s Creek on us… This is family entertainment, not a channel for teenage angst and sudden mood swings.

10th Doctor Departs

Not a complete surprise, but sometimes it feels like these decisions get strung out. I got the feeling when the Shakespearean hiatus cropped up that David would get the urge to roam – but it took a little while longer for the final announcement.

To some extent, the fact Russell and David leave at the same time means the show can start with a clean slate – but, does that necessarily represent a good thing. I have no doubt about Steven Moffat’s credentials in taking over, but to have him do that with a completely new actor – a completely new cast, for that matter… unless they choose to have a companion tag along from one of the four feature-length episodes from 2009/10.

Only time can tell – and in the meantime, it will be interesting to see where Russell takes the storyline during the specials. I would hope that these episodes have some meaning, and that they don’t simply serve as storytelling fluff to fill the void. I want to see progress in the overall arc of the Last of the Time Lords, and the promise of something substantial and meaty, whether within the episodes or as a forerunner of the events to come in the fifth season. The Doctor should never regenerate in a hollow act… the sacrifice should be noble, dramatic and significant, with all the meaning that the story can muster.

Damn. I seem to have missed my opportunity to join the playtest for the Doctor Who Role Playing game, by Cubicle 7. That’ll teach me for not trawling the Internet constantly looking for references to Who. It’s unfortunate because they only announced the game in December and the playtest has, therefore, only been running for a few weeks.

Anyway – despite a sense of mild disappointment, I intend to plough ahead with the concept of running a post-World War One Torchwood campaign using the Call of Cthulhu system – partially because of the wealth of material, partially because the game system revolves around that period anyway, and also because I happen to find the system very easier to use. I shall post updates on how this moves along…

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