Category: Games and Merchandise


In Safe Hands

I attended the Birmingham UK Games Expo at the weekend. Cubicle 7 had a stand, so I invariably needed to go ask the big question.

So, “What’s happening with the Doctor Who game? When can we expect the next supplement?”

Okay, so that’s two questions – but, I can’t remember exactly what I asked. I’m hazy on a lot of things. I admit (unfortunately) this has nothing to do with alcohol. I just have a poor memory – especially for names.

Anyway, I was talking to this guy on the stand (long, dark hair and glasses, facial hair… maybe).

The response, a positive one. I won’t try to map out the details, but Cubicle 7 have all the enthusiasm for this game that you’d expect. For them, Doctor Who: Adventures in Time and Space represents their number one best selling game, a license of massive potential. Do you charge ahead creating stuff in a great gush and run the risk of falling foul of the license holder? I mean, that’s what pretty much happened with FASA, Star Trek and Paramount. Get too carried away and, before you know it, you’re producing supplements without full approval… and then you’re producing no supplements at all.

Having to wait for approval for stuff from the BBC does complicate things – I know that from previous experiences with other licenced holdings that if you need to have everything checked with the owner of the subject matter, expect to see your production time double. To add to the complications, with Doctor Who you also have a series in transition, with a regeneration meaning a need for a bit of a change – both in characters and branding.

The alien supplement remains incoming and should be ready for GenCon, which means an August release. After that, we have a Matt Smith makeover for the core rules, with the inclusion of both the 11th Doctor and Amy Pond as characters, and then future supplements will all have the new look of the current series.

Personally, I think the slow progress means those playing the game have had an opportunity to shine. The DWAITAS board I frequent has enough character, alien, adventure, gadget and skill/trait related material to create a supplement in it’s own right.

The guy on the stand referenced customers who make it sound like without more supplements they simply don’t have what they need to run a game – but, in my honest opinion, the simplicity of the game system, the wealth of background from the TV, and the support of other fans means that there’s a lot you can pick up and use without needing anything else official. You have no excuse not to be running DWAITAS right now.

I planned to run a game at the weekend, and all I took was the official DWAITAS screen, the ‘Start Here’-type booklet from the boxset and the pre-generated character sheets – and for a simple game I think that’s all you need. Once the players understand the basic rule and the principle of Story Points, what more do they need to know. Roll them dice, improvise some Story Point tokens and get on with the action.

So, when new stuff comes, that will be great – but no one should be putting the game into storage thinking they can’t play in the meantime. I appreciate what Cubicle 7 have provided so far and while I’d love to see more soon, I also think the delay makes for a positive experience for every potential Doctor Who GM.

Real Expo-tential

Well, I’m off to the UK Games Expo in Birmingham this weekend, attending both Saturday and Sunday (which we did in 2008, but not 2009). Having the night there means the day can be more relaxed, providing more chances to play and the chance to get involved in stuff starting in the afternoon. I would like to play Doctor Who: Adventures in Time and Space, but right now it looks like it won’t be running until the end of Sunday – just when I’m going to be heading along home (long drive).

I’m kind of wishing I had the chutzpah to run a game of my own, but I’m such a damned wimp. I’m enamoured by the potential of running a Hitchhiker’s Guide to the Galaxy game using the DWAITAS system, which seems like a perfect fit. I could use the sample player character sheets right out of the box without any effort, running a game part-adventure, part-knockabout. I can see it being a bit like classic PARANOIA or Tales From The Floating Vagabond, a chance to play and have fun, but with a lower death toll than the former and a little less slapstick than the latter. We’ll see, you never know…

Maybe I’ll be consigned to playing – and getting annihilated in – a game or two of Agricola or Dominion; but. here’s hoping, that I’ll get a chance to play a RPG session (or two).

Does Not Compute

…and when it comes to persuading computers to do something that doesn’t make sense, well more suspension of disbelief comes into play.

PARANOIA featured a skill called Spurious Logic, which allowed you to engage artificial lifeforms in the sort of discussion that left them smouldering in confusion. Captain Kirk had a knack for doing this – with Landru in ‘The Return of the Archons’ and M5 in ‘The Ultimate Computer‘ – uttering some statement or puzzle that logically would not compute and led to much sparking/smoking of circuit boards. It seems that Amy and The Doctor, but the former particularly, managed to pull off a little of this with Bracewell when the Dalek’s initiated the Oblivion Continuum.

In DWAITAS, the standard test for handling spurious logic should be against Convince + Ingenuity – conveying a logical conceit in a manner than denotes absolute belief to anyone listening, artificial or not. To further enhance the prospect of success, a character might take the Trait Technobabble.

Technobabble (Minor Good Trait)
The character has a bewildering grasp of the esoteric nuisances of bleeding edge technologies and obscure scientific theorems. They might not always completely understand the nitty-gritty of the subject matter, but they appear convincingly assured in their grasp of the principles.
   Effect: +2 bonus to any roll where the character seeks to assert authority in his grasp of obscure science or technology.
   Note: Cannot be taken with the Technically Inept Bad Trait. However, the character’s grasp of the principles does not, in turn, provide any positive modifiers to actual attempts to understand, repair or override gadgets and devices – where the character would need Technology and/or Boffin.

I think you could describe this as the first Marmite episode of the season, because you’ll either like it or you won’t – as like Prisoner Zeroes hiding out for 12 years in Amy’s house, you’ll either suspend disbelief or not.

Thinking on it, “The Beast Below” feels a little like a campaign supplement for a roleplaying game. The story contains a lot of new concepts, like a solar battered Earth, refugee ships based on nations, a monarchy surviving into the 33rd century, and smaller things like the Smilers. The setting has a richness to it that could all too easily have been forgotten or left to one side, concentrating on a story that would have felt far flatter and less satisfying for the lack of it. Those playing Doctor Who: Adventures in Time and Space could take this place and use it for an extended adventure, exploring in greater detail things like the ‘government’ control of the population, and giving the Smilers proper room to breath as a threat.

I think I’m still a little confused by the biology of the space whale, because all those threatening bits ‘leaking’ upwards into the city seemed at odds with a ‘whale’-shaped beast. At least it made the creature more exciting than the ‘hunk of food’ whale that Torchwood uncovered in the episode Meat. I suspect the species have nothing in common, as the one here certainly appeared far, far bigger with, as I’ve said, a far more bizarre physiology.

Amy Pond proves she can outdo previous companions with her insight and curiosity. I suspect her very nature ties into whatever the arc of the season is, but in the meantime it makes for solid, entertaining episodes. She serves as the humanity the Doctor lacks, serving as a sort of healing salve to the damage he had suffered by the end of his last regeneration where we saw him increasingly aloof as the last of the Time Lords.

Yes, the Smiler concept got utterly wasted, but – as I’ve said – I can see the setting getting recycled for roleplaying campaigns. Perhaps the tone of police state didn’t get reinforced enough, despite the Doctor referring to it specifically as such. The Smiler presence worked like the ever present tele-images of Big Brother in 1984 or (for role-players) omnipresent monitors of The Computer in PARANOIA. Moffat pulled another ‘ordinary object as enemy’ with the Smilers, taking the innocent ‘Tell Your Future’ machines of the fairground and making them something all the more sinister. I can’t fault him for his ability to do that – and the BBC might want to consider setting side some cash for future court claims against them for psychological trauma suffered by children watching Who at the moment.

Overall, I can piece together much to appreciate about this episode – and, yes, I’m one of those people who can paper over the cracks and engage with a story that really taxes my suspension of disbelief. One thing that did bother me was the crack in the Universe, which felt awfully tacked on at the end. I want something more like Bad Wolf or The Observer from Fringe – an oddity that I need to spot somewhere in the bustle of the episode, rather than an all too obvious thing that just sits at the end of every episode…

Yes, I know. I haven’t had time to digest the last two episodes yet to allow me to field an opinion. Thus far, I enjoyed ‘Eleventh Hour’ and I’m still on the fence with my judgment on ‘The Beast Below’. I will post something more… substantial… soon.

In the meantime, one thing about the episodes that struck me from a game mechanic angle is the possible need for the re-introduction of the ‘Notice’ skill – which I understand got cut from the Doctor Who: Adventures in Time and Space rules set. The Doctor in the first and Amy in the second had a moment of clarity while looking for ‘an answer’ – and while the current system can fudge around it, an actual skill seems more and more… right. I admit this might not be Notice, but it needs to be something less than the Turn of the Universe trait (that might fit The Doctor, but not Amy).

Planning the Season

Despite what feels like an endless term of planning followed by lashings of self-doubt, I move ever closer to running my own role-playing campaign using the new Doctor Who system. With that in mind, I have been concocting a story arc. So, given the common practice seems to be to have a season structured along the lines of thirteen episodes… What I have in mind thus far is:

  1. Arrowdown
    • A TARDIS crashes on the outskirts of a small seaside town faces an infinite time loop filled with Autons and a tortured fragment of the Nestene Consciousness, while a lost Torchwood operative only seeks to find her husband
  2. Future of the Cybermen
    • A scout ship on a deep space run to deliver vital medicine to an outlying colony faces scavenging Cybermen, misguided pirates and a temporal anomaly strong enough to trap everyone until the end of time
  3. Collision
    • A research team on the LHC have discovered a ground-breaking new particle, but also appear to have opened a channel to their beloved departed… and the hate-infused Gelth (I realise this is something of a riff on the Torchwood radio drama ‘Lost Souls’)
  4. Adventure #4 – part 1
  5. Adventure #4 – part 2
  6. The Tunnel
    • A train carrying a royal traveller from Paris to London comes under threat from clockwork soldiers that threaten to derail time and space itself
  7. The Sward and the Stone
    • In 14th century Wales, a small group of travellers transport a carved stone along the south coast to Pembroke, trailed by what appears to be a leper knight and a retinue of rebels intent on acquisition of the block and the power it contains to save the Pyrovile
  8. Adventure #7 – part 1
  9. Adventure #7 – part 2
  10. Adventure #8
  11. Adventure #9
  12. Doom of the Time Lords
    • Locked in the gaol of an ancient castle, the time travellers struggle to escape only to be faced with the revelation that the world around them is a construct of the Matrix, their captors are the Krillitane, and the adventures before now have been faced by doppelgängers.
  13. Triumph of the Krillitane
    • With the all the elements of the core to the Nightmare Child in place, the Krillitane intend to absorb the DNA of the Time Lords to access the Rassilon Imprimatur that will allow them to escape with mastery of Time, leaving the true Lords of Time and the Daleks trapped within the Time Lock, and the Universe at their mercy
  14. Yes, several gaps remain - and I'm working on them. I have a feeling I may try for another Cybermen episode to follow-up on 'Future of the Cybermen‘, a reworking of the old adventure module ‘Countdown‘.

    The Krillitane sit at the heart of the arc and they have used the loophole in The Doctor’s time lock created by The Master to steal a TARDIS, insert agents of their own (namely the players) and set them off to find the components needed to steal one of the hideous meta-weapons of the Time War – the Nightmare Child. The real Time Lords, who will hopefully save the day in the final episodes, have been held within the Matrix – as per previous experiences in The Deadly Assassin and The Ultimate Foe – and manage to make their escape in time to foil the Krillitane plot.

    A twist in the tale will leave the players faced with the prospect of imprisonment along with the rest of the Time Lords when The Doctor restores the lock following his confrontation with The Master and Rassilon. Each adventure in the sequence will give the players access to a piece of technology or knowledge that will combine to create the core of the Nightmare Child. The players will not actively perceive the act of ‘theft’ needed to acquire each item, though some foretelling may occur at the end of certain episodes where any physical items may be seen to disappear at the hands of an unseen enemy.

Short Shrift

I waited with baited breath for the sneak peak of the start of ‘The Eleventh Hour’. Alas, the clip proved a little on the underwhelming side. I don’t know… I got it into my head that we’d be getting a minute, so I must have read that on the site somewhere. However, in the end we got 35 seconds, of which only the last half seemed to feature the Doctor and only hanging off the lip of the TARDIS door, struggling to get back inside. I like a bit of CGI excitement as much as the next fan, but this didn’t really get my juices flowing.

Anyway… I suppose we only have a week left to wait.

We have a healthy dose of time travel to come, with ‘Ashes to Ashes’ series 3 starting on Friday and ‘Who’ on Saturday. We finally have a time – 6.20PM – but that very detail worries me, because twenty past any hour feels like a time likely to change. The BBC did it with ‘Merlin’ – and I could have sworn that series does quite well, like ‘Who’. I hate it when you can’t predict the air time of a series from one week to the next. You don’t have to worry about ‘Newsnight’ or ‘The One Show’… unless there’s some charity or key sports event on, you know they’ll be on 10.30PM or 7PM, respectively. So, why treat Saturday evening prime time family entertainment with so little respect? I don’t see ‘Newsnight’ providing much of a revenue stream through character merchandising or spin-off media!

Shouldn’t you treat your cash cows with a little more reverence?

Make The End Sing

‘Tooth and Claw’ provides an excellent story, packed full of excitement, energy and classic elements aplenty. Heroism and deceit, violence and innovation, fear and elation. We know that Queen Victoria can’t die, mustn’t die, and yet we see the peril she faces and the people who give up their lives in her name.

However, the incredible episode really shines in the conclusion. If you want to have a model for your adventures, look here for how to handle your ending. Yes, you want resolution, the chance to set the world right again and put an end to the plans of the villain – and yet… There should be more. The ending of an adventure should provide threads to continue on beyond the bounds of the current story.

In ‘Tooth and Claw’, we have the obvious introduction of the Torchwood Institute and the implications of a British Empire aware of aliens threat. Also, Queen Victoria suffers an injury at the hands of the Lupine Wavelength Haemavariform, leading to the possibility that down through time the cells of the werewolf might surface again within the Royal bloodline. Further, what repercussions might Victoria’s banishing of the Doctor have. While we know that Torchwood will later seek him out, what impact might it have on later adventures – as any time spent in Victorian England after 1879 might attract the attention of people aware of Victoria’s edict.

Less obvious perhaps, but we also have the thread that Prince Albert and Sir Robert’s father clearly had their own understanding and theories about the werewolf. Given Prince Albert’s meticulous preparation of the Koh-i-Noor diamond it would not be too much of a stretch to suggest something like an occult gentlemen’s club might exist, patronised by the Prince. Similar to the London-based Ghost Club, of which Charles Darwin was a member, such an organisation might seek to gather knowledge about matters of the Unknown and look to arm itself against it.

It’s a great episode – and by following it’s example you can create adventures that provide a great gateway to future encounters.

Countdown Revisited

The follow Adventure Seed draws on the basic concept of the FASA adventure ‘Countdown’ with a different spin on the antagonists. The outline was also posted to the Dr Who: Adventures in Time & Space message board.

The time travellers find themselves aboard a medical frigate completing a courier run to the Maia system. The people of that system have been struck by a plague, the cure for which can only be synthesized from materials available outside the system. The medical frigate crew show determination in their task, but significant paranoia about the strangers in their midst, as the medicine they carry holds an intrinsic and significant value on the black market.

Currently only mid-journey, and experiencing some sporadic engine problems that the travellers might well assist with, the crew pick up a distress transmission from a nearby ship. Closer investigation reveals an ancient-looking colony ship dangerously low on power reserves, but showing clear life signatures on bio-scans. Research reveals colony ships of this model carried colonists in suspended animation tended by robotic maintenance crews and a generational commander, and his family, passing the role of captain down during the ships lengthy voyage.

Investigation reveals a lot of tunnels and cavernous bays filled with semi-functional technology. When the characters find the hibernation deck, they find scenes of sickening devastation, with shattered stasis tubes and savaged colonists. It should appear that some alien invader penetrated the ship and attacked the colonists in their sleep (and playing up the ‘Alien’-angle may well increase the tension).

However, in reality the generational command family died out from a genetic disease and the ship gradually floated into a interstitual rift, where it and the medical frigate currently sit – leaking power. The robotic crew, seeking to both maintain the ship and save the colonists, started cannabilising organic parts as their internal systems failed. Experimentation, and dozens of pointless deaths, allowed half-a-dozen robots to stabilize themselves in a cybernetic half-life where brains and re-purposed organs keep them functional and capable of sustaining what few colonists still remain.

The Cybermen seek to claim the medical frigate – equipped with cargo holds and cryogenic systems – to serve as a new colony ship, shifting across the few remain colonists. The existing cargo of the frigate doesn’t matter to them – it’s just consuming valuable space, nor do the crew who fall outside their functional parameters and therefore serve no purpose – except, perhaps, to provide more replacements part for their continually degenerating robotic systems.

As the Cybermen try to secure control of the frigate, the crew and characters need to stop them and release the locking mechanisms holdings the vessels together. However, while systems fail and the Cybermen start to convert the frigate to their purposes, the situation gets yet more dire with the arrival of a small group of Draconian corsairs intent on looting both ships for booty and slaves…

Antagonists and things to tackle: Suspicious crew of the medical frigate. Cold-blooded Draconian pirates. Degenerating Cybermen. Deterioration in all shipboard and handheld devices because of the interstitial rift.

Problems: Once the crew of the medical frigate attempt to aid the colony vessel, the Cybermen lock the vessels together – effectively sealing their mutual doom unless the link can be broken. The pirates intended to take advantage of vessels in distress, but moving into range of the interstitial rift and boarding the frigate rapidly endangers them, too. The time travellers need to find a way to separate one of the ships, repair failing systems and get out of range of the rift before time runs out.

Things that need prepared: A rough sketch of the internal layout of the three ships, as the characters will almost certainly need to venture into all three – at least as far as the airlocks – to allow separation.

Continuing the Adventure: Whether the colony ship remains in the rift or somehow pulls free, these new Cybermen may pose a future threat to the time travellers – and pose a worrying prospect should they prosper and, perhaps, discover the existence of other similar Cyber-lifeforms. Might the time travellers in some way influence the rise of the Cyber-Empire? Refer to Ahistory: An Unauthorised History of the Doctor Who Universe for discussion about the Empire and, perhaps, a few ideas for future encounters.

What the Dickens?

Like Wilf in the most recent series, I appreciate the prospect of a good companion-that-never-was in the form of Charles Dickens. Dickens combines curiosity with a sharp intellect, perception with a entirely understandable interest in self-preservation.

Throughout ‘The Unquiet Dead’ – verging on a bottle episode once matters have settled on the encounters within the funeral parlour – Dickens fills the role of companion with enthusiasm. Doubting the Doctor’s technobabble, he nevertheless comes to embrace the extraordinary once the evidence stacks up to support it. His world-weariness and desire to debunk charlatans means the alien needs to work hard to break his resolve and single-mindedness. Dickens considers trickery and sleight-of-hand faced with mere apparitions, but in the end he comes around. Even when gripped with fear, his keen mind kicks into gear and brings him back to some measure of sobriety with a solution to the whole problem of the Gelf. Many companions of the past would have kept running, indeed you would have questioned their change in character if they hadn’t.

Dickens could easily function as a perfectly good foil to the Doctor, earthing him when the need requires it, questioning his decisions and reminding the Time Lord that he is no more master of the world around him than any of us. The Doctor may well have a machine that allows him to travel anywhere in time and space, and he may feel the Turn of the Universe beneath his feet – but, that’s not to say he cannot be surprised or taken off guard on occasion, faced with possibilities that passed him by or he was all too ready to ignore. The Gelf play on The Doctor’s good nature and his guilt in relation to the events of The Time War and that is almost his undoing.

For those who play Doctor Who: Adventures in Time and Space here’s a stab at a character write-up for the great author. I would not go so far as to claim perfection, as this happens to be the first time I’ve tried this; but, I think it more or less conveys Dickens character – at least within the confines of the Whoniverse.

Name: Charles Dickens
Attributes: Awareness – 4, Coordination – 3, Ingenuity – 5, Presence – 4, Resolve – 4, Strength – 2
Skills: Convince – 4 (Charm), Craft – 3 (Writing), Knowledge – 4 (Law, Literature), Medicine – 1, Science – 1, Subterfuge – 2
Traits: Friends (mG, The Ghost Club*), Lucky (mG), Photographic Memory (MG), Run For Your Life (mG), Voice of Authority (mG), Argumentative (mB), Cowardly (mB), Dark Secret (mB, family**), Insatiable Curiosity (mB), Obligation (mB, family), Sceptical (mB***)

* A group, based in London, engaged in the research and investigation of the paranormal, in which Dickens took an increasing interest in his later life.
** In his youth his whole family ended up living in debtors prison for a time and he dallied with certain affairs during his life of which he appears to have been thoroughly ashamed.
*** Dickens urge to doubt and debunk means he suffers a +2 bonus to his roll when subject of any conflict seeking to convince him about the supernatural (i.e. they’re going to have a hard time convincing him of anything). When faced with supernatural occurrences, Dickens will always err on the side of doubt – and will suffer a -2 penalty to any roll to overcome his suspicions.

You can access a perfectly good biography of Dickens on Wikipedia.

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